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There's a certain cheek in charting his journey ' from Compton / to Congress' that he seems very self-aware of, highlighted by the mellow and sophisticated beats that boil under his spits.

As ever, Kendrick's flow is smart, but it's sharper here - teasing aggression instead of respiring it like he does in The Blacker The Berry. There are a plethora of tracks to choose from as the best from the album, but there's something special about Hood Politics.

Not only are modern day legends clamoring for a piece of the Kendrick effect ( David Bowie has claimed that he was influenced by the US rapper on his forthcoming album), but music fans across the universe are all nodding simultaneously and praising his sophomore effort To Pimp A Butterfly as the album of the year (this fan is wholeheartedly in agreement). Perhaps Halsey is so acclaimed is because of moments like her enchanting spoken monologue, the cherry on top of a remarkable pop song: ' you were red and you liked me because I was blue / you touched me and suddenly I was a lilac sky / and you decided purple just wasn't for you'. The sultry alien beats merge with the hue-themed lyrics to create a kaleidoscopic atmosphere, leading into the powerhouse chorus which oozes vulnerable emotion. Once the childish first verse dissolves into the bridge, everything supercharges. She's nothing particularly original and seems to have molded her entire persona on a cocky model of Lorde, but this song still strikes a chord. Halsey, for example, has been hailed as the 'next-big-thing' but I personally think she's run-of-the-mill and a bit embarrassing and unbearable).

Critics are warming up to sugary beats, the stars are getting more serious and music snobs are becoming more and more extinct. It's been a long time coming, but it seems that enjoying pop music is well on its way to becoming something of the mainstream.

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